Smith’s Carcase in action…

I actually had time to do some woodworking over the weekend. Probably won’t happen again ’til next year, but I enjoyed the hell out of it. It was a great excuse to do some more work with my carcase saw based on Joseph Smith’s ‘Key’, as well.

I’m making a door to cover a utility cabinet in my step-daughter’s room. Since we remodeled a few months ago there’s been nothing but good intentions standing between our water main and her bedroom/karate dojo. I’m making a simple frame and panel door from white pine.

Having one saw that can do the work of two is just as cool as it gets. Here I’m using it to rip the tenon cheeks for the door frame…

And then cut the shoulders…

She does it all. :)

I have written and talked a lot about how I file these sash-style saws and the more I use them to build furniture, the more I love them. I think the combination of 10 degrees of rake and 10 degrees of fleam is the perfect compromise for ripping and crosscutting.

On a side note, I actually shipped my first order for one of these carcase saws this morning. Finishing it up late last night and running it through wood for the first time made me stop and think. I never intended to become a saw-maker…but here I am. And I don’t think I could be any more pleased. :)

-Matt

Posted in Uncategorized on June 12, 2013 – 12:48 pm | Comments (5)

Pictoral: How I File a Saw

A recent customer asked if I would document the process of taking his old Disston D-8 (at left) and share pics with him. I agreed and thought it would also make a great post. I’ll try to let the pics do the talking. ;)

Before I can file and sharpen I needed to smith the saw to remove a bit of a kink and bow. To do this I keep pressure on the plate by bending it down on the anvil and use a speically modified hammer.

With the plate true once more, I had to address the sway to the toothline. You can see the dip from the heel towards the toe. This is very common and not helpful in sawing. You want a straight toothline or a slight crown. This saw needs a good jointing before filing.

Jointing a saw is just like jointing a board. I use an 8 or 10 inch mill file.

Now you can see the toothline is nice and straight with an ever so slight corwn, or convexity.

The result of jointing the saw down so much is these little stumps…they are all that remain of the teeth. But this is good…it allows me to even the gullets and create new, evenly spaced and properly sized teeth.

Here’s what they look like after shaping.

I create these by filing straight across the plate. I am not filing any fleam yet. I begin to file the gullets and even the spacing of the teeth by accentuating my file stroke to either side as needed. The goal is to make the gulelts of even depth and the flats of the teeth the same size.

I start by roughing in the gullet.

Then define and even the depth.

Now refine the depth of the teeth.

And bring them to full shize and shape.

I do this in two inch patches all the way down the saw until all of the teeth are even in size, depth and shape.

The saw is now jointed, the teeth are properly defined. This is what saw teeth should look like before sharpening.

I now set the saw teeth.

I set each tooth firmly and alternate one side then the other to set the teeth left and right.

I once again joint the saw to create a flat on each tooth…

Now the saw is ready for sharpening. Because this is a crosscut saw I file 25 degrees of fleam into the teeth. I do this by filing at an angle from perpendicular and use a simple visual aid that I call a fleam guide.

Here’s the first group of teeth ready for sharpening. You can see the flats created by second jonting.

To create fleam I file every other tooth removing half of the flat. This makes the once previously rectangular flats now trianglular.

Then I go back and file each tooth that I skipped to create the other side of the tooth geometry. The result is a knife edge, or what we call fleam.

I continue this process all the way down the saw until all of the teeth are sharp with proper geometry.

The final step in sharpening a saw is stoning. I  lay the saw flat on my bench and apply a strip of blue tape to the plate. This protects the saw plate and creates a depth stop for evening the set and removing the burr.

The result is a row of razor sharp teeth in prefect alignment.

Who’s next? ;)

If you’d like to send me a saw for sharpening, email me at: matt@thesawwright.com or check out my website: www.TheSawWright.com

-Matt

Posted in Saws, Sharpening and Restoration Services on May 25, 2013 – 12:45 pm | Comments (6)

Build A Backsaw on-line class

Following my post about building your own saw, a couple of people asked about instruction. Here’s one inquiry and my snarky, self-promoting response…

Andrew from Germany asked:

I have been considering making a back saw for some time, but have been a little intimidated by the process. Do you know of any good video resources or books that detail the process? I like videos for the simple fact that I am a visual learner.

Funny you should ask, but yes, I do know of a resource. Me! ;)

I just completed filming two projects with Popular Woodworking Magazine, one of which is two hours of video instruction for an on-line class on how to build your own backsaw from the very kits I spoke of yesterday. In addition to the videos, students who sign up for class (hosted by PopWood, of course) will be able to ask questions and get assistance through live video interaction with yours truly, and post questions with other students in an online forum.

Class size is limited (to about 25 I think), but after the launch, anyone will be able to purchase/stream/download the videos anytime and build their saw. Plus, you can email me questions at your leisure.

The PopWood video team is editing the videos now, and we’re negotiating a launch date for the class, but it looks like sometime in June. Stay tuned for more details.

-Matt

 

Posted in News and Events, Projects on May 10, 2013 – 1:40 pm | Comments (2)

Saw Parts Suppliers

I remember years ago when I first started making saws and how hard it was to find parts. No one sold brass backs or saw hardware or saw plates. If you wanted to make a saw you had to fabricate the parts yourself, or scavenge them from old saws. And neither is too much fun when all you want to do is make a saw and not get an internship in a machine shop.

Fast forward to 2013 and the wonderful reality that is the 21st Century American Hand Tool Renaissance.

Thanks to a small number of enterprising people, and the growing demand to resurrect and revitalize our appreciation for meat powered tools, we now have several commercial sources of excellent quality parts and supplies for saw making.

I use parts from all of these suppliers and can personally vouch for every one. These are the same parts that I use every day in my shop. They ALL offer top quality and awesome customer service:

Saw Plates, templates, plans and more:   TGIAG.com

Complete saw kits, backs and fasteners:   BontzSawWorks.net

Saw Kits, split nut fasteners and driver bits:  ToolsForWorkingWood.com

Saw Fasteners, supplies and filing aides:  BlackburnTools.com

So what are you waiting for….get building!!!! Any schmuck can build a saw. Believe me….if I can make one, so can you.  And if you’re a bit nervous about jumping into the whole project then you’re in luck again, because I also teach a two-day class at the Connecticut Valley School of Woodworking on making a backsaw from rough components.

And starting with this next class in July, we are now offering students the option to choose the size of their saw! That’s right…..thanks to Ron Bontz at Bontz Saw Works, students now order their saw kits directly. You can pick any saw you want, from a tiny 8 inch dovetail saw to a monster 18 inch tenon saw (though I recommend starting with the 12 inch backsaw kit). Let Ron know your preferences when you place your order. Then just bring the kit with you to class and I’ll show you how to turn it into a top-notch tool. It’s a blast. And you certainly don’t have to take the class to buy a kit from Ron, or parts from any of the suppliers above.

Check out the details on the saw building class: Build a Backsaw July 20-21st

And just to make the whole experience a little more fun, I’ll now be adding a ’Gallery’ section on the blog to post pics of saws made by students, readers and fellow saw lovers.

So get building and keep in touch. :)

-Matt

Posted in News and Events, Saws on May 9, 2013 – 11:34 am | Comments (3)

Q&A on Smith’s Carcase Saw…

 

 

 

 

 

My recent post about the carcase saw I built based on Joseph Smith’s ‘Key to the Manufactories of Sheffield’ has generated a lot of comments, emails and questions, so I thought I would respond to some of them collectively and post the answers here for all others interested.

Here goes…

Q:  Besides the 12 in length, and 1/2″ cant you mentioned on the last post, do you mind giving the rest of the dimensions – i.e. the height of the blade and the thickness of the back at the the toe and at the the tote respectively? What thickness plate did you end up using?

A: The depth under the back tapers from about 2.5 inches down to just shy of 2 inches at the toe. The brass back is 1/4 of an inch thick and it tapers in depth from about 0.75 to about 0.50 inches along the length. The plate of the saw is 0.020 inches thick 1095 spring steel.

 

Q: Where did you get the materials for the saw?

A: The saw plate is from TGIAG.com, the brass back is from BontzSawWorks.net and the nuts are from ToolsForWorkingWood.com

 

Q: Is that a slotted back? How did you shape the back to make it look folded?

A: Yes, the back is slotted brass bar. I shaped the corners into smooth round-overs to appear like a traditional folded brass back. I used files and sandpaper for the shaping…brass is very easy to work with files.

 

Q: What is the tooth spacing? Rake? Fleam?

A: 14 points per inch filed with 10 degrees of rake and 10 degrees of fleam for ripping and crosscutting.

 

Q: What copy of ‘Smith’s Key’ are you working from and where did you get it?

A: My copy is the 1975 EAIA reprint. I purchased it on Amazon and you can too…they aren’t cheap, but worth every penny IMHO.

 

Q: Are you making this saw available for sale? Will you build one for me?

A: If you are interested in purchasing one of these saws, I am making a few of them for sale. Each saw will be one of a kind, custom made to order including tote sizing to the user and tooth spacing of your choice. This is not a “production saw”…they are made start to finish, one at a time. I don’t “batch” parts. I have two orders now and will be taking a few more. Price is $400. For more details please email me at: matt@thesawwright.com

 

-Matt

Posted in Projects, Saws on May 1, 2013 – 1:20 pm | Comments (0)

Chilli and Jesus…

 photo PWWstudio_zps29a5fcc4.jpg

I just got home yesterday from a four day trip to Cincinnati where I was filming two very exciting projects with Popular Woodworking magazine. The first project is an instructional DVD tentatively titled ‘Super Tune Your Backsaws’, and the second project were video segments for a forthcoming on-line class on how to build your own backsaw. The former will be similar to Chris Schwarz’s recent ‘Super Tune a Handplane’ but for an old backsaw and hosted by yours truly, and the latter will include 4 half-hour video segments available for download, plus live web-based interaction with myself and a forum for questions and discussion, all hosted by Pop Wood.

The whole experience was a total blast, and it was especially cool getting pampered by the awesome Pop Wood staff. I’ve struggled with what to write about the whole trip, as I’ve been a bit overwhelmed with positive emotions, so I’ve come up with a brief list of thoughts and insights. Here’s some highlights on what I learned on my trip…

1. Cincinnati is a very unique city. They put chilli over spaghetti and eat it. On purpose. And they like it.

2. But they don’t like pornography. Strange…

3. The Pop Wood office is not a cushy corporate environment. Its a converted old warehouse with more mice than people.

4. The mixed gender video crew likes off-color humor. The nut jokes alone could make a 45 minute gag reel.

5. Don’t call Megan Fitzpatrick a tool collector. (Even though she has 4 dovetail saws)

6. Cincinnati is part of the South.

7. Cincinnati is part of the North.

8. Chris Schwarz likes to drive fast.

9. The Pop Wood workshop is best described as a cross between Hiroshima c. 1946 and the Bermuda Triangle.

10. I’m the luckiest SawWright in the world. I have no idea what possessed such a reputable group of woodworkers and writers to back a lame horse like mine, but I certainly enjoyed the hell out of myself.

For details on the coming DVD and info on the on-line class, stay tuned here.

-Matt ;)

Posted in News and Events on April 29, 2013 – 3:57 pm | Comments (5)

Joseph Smith’s Carcase

The last two weeks have been a bit of a blur (I was sick), but somewhere in the mix I managed to finally finish my carcase saw based on Joseph Smith’s ‘Key to the Manufactories of Sheffield’, a work I have obsessed over for years thanks to its images of early 19th century handsaws.

The moment the wax was dry on the tote, I started grabbing anything and everything in my shop to try out the cut….scrap wood, electrical cords, small animals, even a vagrant that likes to hang out in my neighborhood and wanders into my shop occasionally….they all went under the teeth of my new saw to test its metal. And what fun I had!!!

This saw is simply amazing. The balance, the hang of the tote, the cut of the sash filed teeth (10 degrees of rake, 10 degrees of fleam, 14 ppi)…everything about this saw is perfect. This saw makes me want to sell every other backsaw in my shop and finally commit to saw monogamy. That’s right….no more scurrying around hotel parking lots in the wee hours. No more hiding ATM receipts and credit card charges from my wife. And no more elaborate measures to cover up internet evidence of infidelity….I’ve finally found the perfect partner. And I owe it all to Joseph Smith.

If I were a saw maker, this is the saw I would build and put into the hands of every person crazy enough to buy one.

Perhaps the most striking thing about this saw is the tapering….both of the saw plate (meaning the cant) and of the brass back. In one of my previous posts about this project, Peddar (of Two Lawyers Toolworks) was astute enough to point out that not only the saw plate is tapered, but the back too. How strange that in all the years of staring at the image of this saw that I never noticed the taper on the back. I think I was so struck by the extreme cant of the plate that I overlooked the back. As soon as Peddar mentioned it, I smacked my self in the head and spent the following few hours cutting, filing, sanding, polishing and getting the taper of the back perfect. And what a difference! The reduction in weight is astounding and the balance of the saw is amazing….it has the mass in all the right spots and none of that toe-heaviness that makes backsaws so awkward to start. Simply awesome.

 

 

 

 

As I was busy crosscutting and ripping everything in my house to shreds, I was amazed at how refined I found the saw to be in use. I think we often make the mistake in thinking that something 200 years old has to be antiquated, or primitive, but quite the opposite seems to be true with the design of this saw. All of the lines and functional elements of this saw are completely harmonized and practical. I think this style of saw may have been the peak of backsaw evolution, and the tools that became common in the American saw boom were de-evolved and watered down copies of tools that were once perfect. I think many of us have seen evidence of this in other tool forms….mass production destroyed the perfection of many things. And this was one of the main reasons why I have wanted to make this saw for so long….it looked truly different from any other saw that I have ever seen or used and I wanted to find out why.

Even though I only got to use the saw for a couple of hours before I had to pack it up and ship it off to St. Louis (where I’m teaching a two-day saw making class) I clearly understand now that not only does it look different, but it IS different in every way. I have done a tremendous amount of research on old saws and compiled every scrap of information and evidence I have of how old saws were made and what they were like, both from books, articles, and others’ research, and from original saws in my own collection, and poured it all into this carcase saw. The result, I am very happy to say is simply awesome. I’m blown away. I can’t wait to bring the saw back home and use the hell out of it and continue to unlock its secrets.

And that’s just the tip of the iceberg. Over the next year or so, I’m going to build a replica of every saw featured in Smith’s Key. I can’t wait to see what ole Joe show’s me next. It’s going to be a blast.

And if you’d like to build a backsaw of your own, I’m teaching another two-day saw making class this summer at the CT Valley School of Woodworking. Details and registration on  my website (TheSawWright.com) and at CT Valley School’s site. This is the fourth time I’ve taught this class at CT Valley and it just keeps getting better. :)

-Matt

Posted in Saws on April 18, 2013 – 6:56 pm | Comments (18)

Spring Projects…

This week I finished up the back and plate for my new carcase saw based on Joseph Smith’s ‘Key’ . The tote is all shaped as well and the linseed oil is drying. A couple coats of shellac and some tuning and filing and it’ll be ready for my meaty little hands.

I’m building this saw as a model for a two day saw building class that I’m teaching at the St. Louis Woodworker’s Guild. It was a good motivator for me to build this saw, which I have fantasized about for years (What…You don’t fantasize about saws too???). I’ve always wanted to replicate the form, but never found the time. I’m excited to run it through some wood.

I’ve got lots of other projects coming up too. A day after I get back from St. Louis, I’ll be back on a plane and heading to  Cincinnati to work on some top secret projects that I’m so excited about, a little bit of pee squeezes out when I talk about it. More about that later. (The projects, not the pee) ;)

Then in May I’ll be at the EAIA annual meeting which I mentioned yesterday. After that I’ve got classes in saw sharpening and saw making at the CT Valley School of Woodworking in June and July, respectively.

But despite all of this craziness, its still a great time to send me a saw or two for filing and tuning up. My turn around time is at about 4 – 6 weeks right now. You can check out my rates for saw work at my website: TheSawWright.com

To inquire about saw sharpening services you can email me at: matt@thesawwright.com

Posted in News and Events, Sharpening and Restoration Services on March 29, 2013 – 2:40 pm | Comments (0)

EAIA Annual Meeting

This May I will be traveling to near-by Cape Cod to be a part of the Early American Industries Association’s Annual Meeting. If you are not a member of the EAIA, then you should be. They are a wonderful group of men and women dedicated to preserving the tools, technology and skills of early American trades.

This year’s annual meeting is sure to be one of the best yet, but not just because I’ll be there demonstrating saw sharpening on Saturday May 18th, but because Chris Schwarz and Peter Follansbee will also be speaking and demonstrating. I’m incredibly honored to be a part of this years activities. I’m pulling out all the stops and will be filing up some classic American handsaws and might even bring some big cross-cut saws to saw my wife in half (if I can get her big pregnant belly in that damn wooden box). I’m also really looking forward to hearing Chris speak on Saturday the 18th about traditional tool chests. That’s sure to be worth the trip alone.

On Thursday May 16th Peter will be demonstrating and speaking at Plimoth Plantaion where he chops wood day after day. If you’ve never gotten to visit this historic place and see Peter work, then you’re missing out. I spent a day last January with Peter in his shop and met the carpenters and blacksmith who work on the Plantation….it was like Disneyland for big boys. :)

There’s tons more scheduled too…..and that doesn’t even include the usual hand tool revelry. The tailgating is second to none and there’s a tool auction, tool trading, tool displays and tailgating. Did I mention tailgating? And tools? You can check out the full schedule and travel/hotel accommodations at the website. I could go on and on about how great this event is going to be (its EAIAs 80th anniversary, by the way) but you can read all about it on the web.

So come and meet Chris, Peter and some of the other crazy whack jobs like yourself who eat, sleep and breathe old tools and wood. I can’t wait.

I hope to see you there.;)

-Matt

 

Posted in News and Events on March 28, 2013 – 2:12 pm | Comments (0)

Slotting a Saw Tote….

Until now, I have always instructed students in my saw building classes to cut the saw blade slot in their tote free hand. This is usually the most intimidating step for novice sawyers to complete, as they are nervous about cutting askew and possibly ruining their saw. Because I normally teach class like a heartless dictator, I simply call them names, break their spirit to resist, and make them do it anyway.

But no more. I have acquiesced. I must be getting soft in my old age.

So, from now on, I will offer students the safe way out: a jig.

BLLLAAAAAHHH!!!

Ironically, this is how I first started to slot saw totes years ago when I started making saws. Its quite simple. All you really need is a pull saw and some scraps…

 

 

 

 

 

 

Before you begin its still a good idea to mark the blade slot with a cutting/marking gauge. Then lay the tote on the shim piece and make sure the teeth of the pull saw line up exactly with the marked line. Plane down the shim if its too tall, or shim with paper if its too short.

 

 

 

 

 

 

Make sure the bench hook and shim are cinched down tight and slowly kerf in the slot with the saw running lightly back and forth along the layout line.

 

 

 

 

 

 

I simply run the saw back and forth with hand pressure. Make sure you keep the plate flat and true on the bench hook and hold the tote firmly…

 

 

 

 

 

When I’m about halfway through the cheek I finish up by clamping the tote in my face vise and saw the slot to final depth by hand. The slot is deep enough at this point to guide the saw without fear or running afoul. And voila: a perfectly true blade slot…

 

 

 

 

Its pretty idiot proof….believe me (I’m an idiot).

This ones for you, Del. ;)

-Matt

 

 

 

 

 

 

Posted in Saws on March 13, 2013 – 2:04 pm | Comments (7)